Analysis of David Block's pages 6 and 7 ....

On page 6, David Block's booklet introduces Christopher Moore as the person in charge of "programme planning". It says that prior to this job, he had joined the Merchant Navy at age 18, after which he joined an unnamed advertising agency on an unnamed date. He then he moved on during an unknown date into the "music business". In other words, David Block told us nothing about Chris Moore.. 

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However, whoever was behind Radio Caroline did not tell Christopher Moore. It was a secret.

Chris Moore filed suit against the people that he thought were running Radio Caroline, and this newspaper cutting was the result. In May 1966, it must have finally dawned on Chris Moore that what he thought he knew about Radio Caroline, was nothing at all. This press cutting tells his tale. 

However, as time went on Chris Moore was placated and he must have withdrawn his law because he later appeared on an Arena BBC-TV program where he laughed about those days. So was he paid-off, and if he was paid-off, who paid him off, and why? 

Clearly no one was in a hurry to tell the press who had really set-up Radio Caroline, and later, when Ronan O'Rahilly tried to revive Radio Caroline with the help of John Bloom, he did not know where to start.

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The next panel on page 6 introduces Simon Dee as a Canadian who was born in Ottawa, except that his name is Cyril Nicholas Henty-Dodd and he was really born in Manchester, England. David Block also tells his readers that Simon Dee met Ronan O'Rahilly at the 'Scene Club', even though the biography of Simon Dee says that they met during casual lessons held within paid classes for would-be actors.

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Carl Conway is yet another person whose life and times have become obfuscated. Then on page 7, we are introduced to Doug Kerr, and about the only pattern that is beginning to emerge is a prior connection to ITA program contractors.

Next comes Tom Lodge who came in via Chris Moore, who obviously knew nothing about the real story behind Radio Caroline. Tom Lodge is followed by Gerry Duncan who is the "Programme Producer", and he also came in with a background working for ITA program contractors. He was also brought in via Chris Moore, and it was Chris Moor's lawsuit that claimed that he was the the "Programme Director and Planner" for Radio Caroline.

In other words pages 6 and 7 contain pictures accompanied by text that us nothing at all about the original on-air staff who were hired to present Radio Caroline programs, and neither does it explain who was behind Radio Caroline.